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    Jesse Ventura

    Parent portals : Geography / Asia / India
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    Introduction

    Flag of India
    Flag of India
    Location on the world map
    Location on the world map

    India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country since 2023; and, since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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    • Image 1 Pakeezah (Hindustani pronunciation: [ˈpaːkiːzaː]; transl. The Pure One) is a 1972 Indian musical romantic drama written, directed, and produced by Kamal Amrohi. The film stars Meena Kumari as the eponymous lead, alongside Ashok Kumar and Raaj Kumar. It tells the story of Sahibjaan, a Lucknow-based tawaif. While asleep on a train, Sahibjaan receives a note from a stranger praising her beauty. Later, evacuating from a broken boat, she takes shelter in a tent and finds out its owner, a forest ranger named Salim, wrote the letter. Sahibjaan and Salim plan to get married, causing conflicts with Sahibjaan's professional background. Amrohi, to whom Kumari was married, wanted to make a film dedicated to his wife; he began conceiving the story after the release of their collaborative film Daaera (1953). Production of the film lasted 15 years. Pakeezah's principal photography commenced in 1956 under the German cinematographer Josef Wirsching. The film faced many obstacles, particularly Kumari and Amrohi's separation in 1964 and Kumari's addiction to alcohol, which often made her unable to perform. After being postponed for many years, filming resumed in 1969 and finished in November 1971. The film's soundtrack, which became one of the highest-selling Bollywood soundtracks of the 1970s, was composed by Ghulam Mohammed and finished by Naushad, who also composed the background score. (Full article...)
      Pakeezah (Hindustani pronunciation: [ˈpaːkiːzaː]; transl. The Pure One) is a 1972 Indian musical romantic drama written, directed, and produced by Kamal Amrohi. The film stars Meena Kumari as the eponymous lead, alongside Ashok Kumar and Raaj Kumar. It tells the story of Sahibjaan, a Lucknow-based tawaif. While asleep on a train, Sahibjaan receives a note from a stranger praising her beauty. Later, evacuating from a broken boat, she takes shelter in a tent and finds out its owner, a forest ranger named Salim, wrote the letter. Sahibjaan and Salim plan to get married, causing conflicts with Sahibjaan's professional background.

      Amrohi, to whom Kumari was married, wanted to make a film dedicated to his wife; he began conceiving the story after the release of their collaborative film Daaera (1953). Production of the film lasted 15 years. Pakeezah's principal photography commenced in 1956 under the German cinematographer Josef Wirsching. The film faced many obstacles, particularly Kumari and Amrohi's separation in 1964 and Kumari's addiction to alcohol, which often made her unable to perform. After being postponed for many years, filming resumed in 1969 and finished in November 1971. The film's soundtrack, which became one of the highest-selling Bollywood soundtracks of the 1970s, was composed by Ghulam Mohammed and finished by Naushad, who also composed the background score. (Full article...)
    • Image 2 "The Inner Light" is a song by the English rock band the Beatles, written by George Harrison. It was released on a non-album single in March 1968, as the B-side to "Lady Madonna". The song was the first Harrison composition to be issued on a Beatles single and reflects the band's embrace of Transcendental Meditation, which they were studying in India under Maharishi Mahesh Yogi at the time of the single's release. After "Love You To" and "Within You Without You", it was the last of Harrison's three songs from the Beatles era that demonstrate an overt Indian classical influence and are styled as Indian pieces. The lyrics are a rendering of chapter 47 from the Taoist Tao Te Ching, which he set to music on the recommendation of Juan Mascaró, a Sanskrit scholar who had translated the passage in his 1958 book Lamps of Fire. Harrison recorded the instrumental track for "The Inner Light" in Bombay in January 1968, during the sessions for his Wonderwall Music soundtrack album. It is the only Beatles studio recording to be made outside Europe and introduced Indian instruments such as sarod, shehnai and pakhavaj to the band's sound. The musicians on the track include Aashish Khan, Hanuman Jadev and Hariprasad Chaurasia. Aside from Harrison's lead vocal, recorded in London, the Beatles' only contribution came in the form of group backing vocals over the song's final line. In the decade following its release, the song became a comparative rarity among the band's recordings; it has subsequently appeared on compilation albums such as Rarities; Past Masters, Volume Two; and Mono Masters. It is the only Beatles song to never appear on any official Beatles album. (Full article...)
      "The Inner Light" is a song by the English rock band the Beatles, written by George Harrison. It was released on a non-album single in March 1968, as the B-side to "Lady Madonna". The song was the first Harrison composition to be issued on a Beatles single and reflects the band's embrace of Transcendental Meditation, which they were studying in India under Maharishi Mahesh Yogi at the time of the single's release. After "Love You To" and "Within You Without You", it was the last of Harrison's three songs from the Beatles era that demonstrate an overt Indian classical influence and are styled as Indian pieces. The lyrics are a rendering of chapter 47 from the Taoist Tao Te Ching, which he set to music on the recommendation of Juan Mascaró, a Sanskrit scholar who had translated the passage in his 1958 book Lamps of Fire.

      Harrison recorded the instrumental track for "The Inner Light" in Bombay in January 1968, during the sessions for his Wonderwall Music soundtrack album. It is the only Beatles studio recording to be made outside Europe and introduced Indian instruments such as sarod, shehnai and pakhavaj to the band's sound. The musicians on the track include Aashish Khan, Hanuman Jadev and Hariprasad Chaurasia. Aside from Harrison's lead vocal, recorded in London, the Beatles' only contribution came in the form of group backing vocals over the song's final line. In the decade following its release, the song became a comparative rarity among the band's recordings; it has subsequently appeared on compilation albums such as Rarities; Past Masters, Volume Two; and Mono Masters. It is the only Beatles song to never appear on any official Beatles album. (Full article...)
    • Image 3 Fashion is a 2008 Indian Hindi-language drama film directed by Madhur Bhandarkar. The film stars Priyanka Chopra, Kangana Ranaut and Mugdha Godse in lead roles, with Arjan Bajwa, Samir Soni and Arbaaz Khan in supporting roles. The film's screenplay was co-written by Ajay Monga, Bhandarkar and Anuraadha Tewari. Principal photography took place in Mumbai and Chandigarh. Salim–Sulaiman composed the films soundtrack, with lyrics written by Irfan Siddiqui and Sandeep Nath. The film was made on a budget of ₹180 million (US$2.1 million). The story revolves around Meghna Mathur, an aspiring fashion model; it follows her transformation from small-town girl to supermodel, the Indian fashion industry and the careers of several other models. Fashion also explores feminism and female power in Indian fashion. The cast also features several professional fashion models playing themselves. The film was a turning point in Chopra's career after several consecutive flops prior to this film. (Full article...)
      Fashion is a 2008 Indian Hindi-language drama film directed by Madhur Bhandarkar. The film stars Priyanka Chopra, Kangana Ranaut and Mugdha Godse in lead roles, with Arjan Bajwa, Samir Soni and Arbaaz Khan in supporting roles. The film's screenplay was co-written by Ajay Monga, Bhandarkar and Anuraadha Tewari. Principal photography took place in Mumbai and Chandigarh. Salim–Sulaiman composed the films soundtrack, with lyrics written by Irfan Siddiqui and Sandeep Nath. The film was made on a budget of ₹180 million (US$2.1 million).

      The story revolves around Meghna Mathur, an aspiring fashion model; it follows her transformation from small-town girl to supermodel, the Indian fashion industry and the careers of several other models. Fashion also explores feminism and female power in Indian fashion. The cast also features several professional fashion models playing themselves. The film was a turning point in Chopra's career after several consecutive flops prior to this film. (Full article...)
    • Image 4 Sri Venkateswara Swami Temple Andhra Pradesh (ISO: Āndhra Pradēśa, Telugu pronunciation: [aːndʱɾə pɾədeʃᵊ], abbr. AP) is a state on the east coast of southern India. It is the seventh-largest state and the tenth-most populous in the country. Telugu is the most widely spoken language in the state, as well as its official language. Amaravati is the state capital, while the largest city is Visakhapatnam. Andhra Pradesh shares borders with Odisha to the northeast, Chhattisgarh to the north, Karnataka to the southwest, Tamil Nadu to the south, Telangana to northwest and the Bay of Bengal to the east. It has the third-longest coastline in India at about 1,053 kilometres (654 mi). Archaeological evidence indicates that Andhra Pradesh has been continuously inhabited for over 247,000 years, from early archaic hominins to Neolithic settlements. The earliest reference to the Andhras appears in the Aitareya Brahmana (c. 800 BCE) of the Rigveda. Around 300 BCE, the Andhras living in the Godavari and Krishna river deltas were renowned for their formidable military strength—second only to the Maurya Empire in the subcontinent. The first major Andhra polity was the Satavahana dynasty (2nd century BCE–2nd century CE) which ruled over the entire Deccan Plateau and even distant areas of western and central India. They established trade relations with the Roman Empire, and their capital, Dhanyakataka, was the most prosperous city in India during the 2nd century CE. Subsequent major dynasties included the Vishnukundinas, Eastern Chalukyas, Kakatiyas, Vijayanagara Empire, and Qutb Shahis, followed by British rule. After gained independence, Andhra State was carved out of Madras State in 1953. In 1956, it merged with Telangana, comprising the Telugu-speaking regions of the former Hyderabad State, to form Andhra Pradesh. It reverted to its earlier form in 2014, when the new state of Telangana was bifurcated from it. (Full article...)

      Sri Venkateswara Swami Temple

      Andhra Pradesh (ISO: Āndhra Pradēśa, Telugu pronunciation: [aːndʱɾə pɾədeʃᵊ], abbr. AP) is a state on the east coast of southern India. It is the seventh-largest state and the tenth-most populous in the country. Telugu is the most widely spoken language in the state, as well as its official language. Amaravati is the state capital, while the largest city is Visakhapatnam. Andhra Pradesh shares borders with Odisha to the northeast, Chhattisgarh to the north, Karnataka to the southwest, Tamil Nadu to the south, Telangana to northwest and the Bay of Bengal to the east. It has the third-longest coastline in India at about 1,053 kilometres (654 mi).

      Archaeological evidence indicates that Andhra Pradesh has been continuously inhabited for over 247,000 years, from early archaic hominins to Neolithic settlements. The earliest reference to the Andhras appears in the Aitareya Brahmana (c. 800 BCE) of the Rigveda. Around 300 BCE, the Andhras living in the Godavari and Krishna river deltas were renowned for their formidable military strength—second only to the Maurya Empire in the subcontinent. The first major Andhra polity was the Satavahana dynasty (2nd century BCE–2nd century CE) which ruled over the entire Deccan Plateau and even distant areas of western and central India. They established trade relations with the Roman Empire, and their capital, Dhanyakataka, was the most prosperous city in India during the 2nd century CE. Subsequent major dynasties included the Vishnukundinas, Eastern Chalukyas, Kakatiyas, Vijayanagara Empire, and Qutb Shahis, followed by British rule. After gained independence, Andhra State was carved out of Madras State in 1953. In 1956, it merged with Telangana, comprising the Telugu-speaking regions of the former Hyderabad State, to form Andhra Pradesh. It reverted to its earlier form in 2014, when the new state of Telangana was bifurcated from it. (Full article...)
    • Image 5 Pitri Paksha rites being performed on the banks of the Hooghly River at Jagannath Ghat in Kolkata, 2012 Pitri Paksha (Sanskrit: पितृ पक्ष, lit. '"fortnight of the paternal ancestors"', IAST: Pitṛ pakṣa), also spelt Pitru Paksha, is a 16-lunar day period in the Hindu calendar when Hindus pay homage to their ancestors (Pitri), especially through food offerings. The period is also known as Pitarpas, Pitri Paksha/Pitr-Paksha, Pitri Pokkho, Sorah Shraddha ("sixteen shraddhas"), Kanagat, Jitiya, Mahalaya, Apara Paksha and akhadpak. Pitri Paksha is considered by Hindus to be inauspicious, given the death rite performed during the ceremony, known as Shraddha or Tarpana. In southern and western India, it falls in the second paksha (fortnight) Hindu lunar month of Bhadrapada (September) and follows the fortnight immediately after Ganesh Utsav. It begins on the Pratipada (first day of the fortnight) ending with the no moon day known as Sarvapitri Amavasya, Pitri Amavasya, Peddala Amavasya or Mahalaya Amavasya (simply Mahalaya) Most years, the autumnal equinox falls within this period, i.e. the Sun transitions from the northern to the southern hemisphere during this period. In North India and Nepal, and cultures following the purnimanta calendar or the solar calendar, this period may correspond to the waning fortnight of the luni-solar month Ashvina, instead of Bhadrapada. (Full article...)

      Pitri Paksha rites being performed on the banks of the Hooghly River at Jagannath Ghat in Kolkata, 2012

      Pitri Paksha (Sanskrit: पितृ पक्ष, lit. '"fortnight of the paternal ancestors"', IAST: Pitṛ pakṣa), also spelt Pitru Paksha, is a 16-lunar day period in the Hindu calendar when Hindus pay homage to their ancestors (Pitri), especially through food offerings. The period is also known as Pitarpas, Pitri Paksha/Pitr-Paksha, Pitri Pokkho, Sorah Shraddha ("sixteen shraddhas"), Kanagat, Jitiya, Mahalaya, Apara Paksha and akhadpak.

      Pitri Paksha is considered by Hindus to be inauspicious, given the death rite performed during the ceremony, known as Shraddha or Tarpana. In southern and western India, it falls in the second paksha (fortnight) Hindu lunar month of Bhadrapada (September) and follows the fortnight immediately after Ganesh Utsav. It begins on the Pratipada (first day of the fortnight) ending with the no moon day known as Sarvapitri Amavasya, Pitri Amavasya, Peddala Amavasya or Mahalaya Amavasya (simply Mahalaya) Most years, the autumnal equinox falls within this period, i.e. the Sun transitions from the northern to the southern hemisphere during this period. In North India and Nepal, and cultures following the purnimanta calendar or the solar calendar, this period may correspond to the waning fortnight of the luni-solar month Ashvina, instead of Bhadrapada. (Full article...)
    • Image 6 Jain temples on Shatrunjaya hill near Palitana, Gujarat Jainism (/ˈdʒeɪnɪzəm/ JAY-niz-əm), also known as Jain Dharma, is an Indian religion whose three main pillars are nonviolence (ahiṃsā), asceticism (aparigraha), and a rejection of all simplistic and one-sided views of truth and reality (anekāntavāda). Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras, supreme preachers of dharma. The first tirthankara in the current time cycle is Rishabhadeva, who tradition holds lived millions of years ago; the 23rd tirthankara is Parshvanatha, traditionally dated to the 9th century BCE; and the 24th tirthankara is Mahavira, who lived c. the 6th or 5th century BCE. Jainism is considered an eternal dharma with the tirthankaras guiding every time cycle of the cosmology. Central to understanding Jain philosophy is the concept of bhedavijñāna, or the clear distinction in the nature of the soul and non-soul entities. This principle underscores the innate purity and potential for liberation within every soul, distinct from the physical and mental elements that bind it to the cycle of birth and rebirth. Recognizing and internalizing this separation is essential for spiritual progress and the attainment of samyaka darśana (self realization), which marks the beginning of the aspirant's journey towards liberation. (Full article...)

      Jain temples on Shatrunjaya hill near Palitana, Gujarat

      Jainism (/ˈdʒeɪnɪzəm/ JAY-niz-əm), also known as Jain Dharma, is an Indian religion whose three main pillars are nonviolence (ahiṃsā), asceticism (aparigraha), and a rejection of all simplistic and one-sided views of truth and reality (anekāntavāda). Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras, supreme preachers of dharma. The first tirthankara in the current time cycle is Rishabhadeva, who tradition holds lived millions of years ago; the 23rd tirthankara is Parshvanatha, traditionally dated to the 9th century BCE; and the 24th tirthankara is Mahavira, who lived c. the 6th or 5th century BCE.

      Jainism is considered an eternal dharma with the tirthankaras guiding every time cycle of the cosmology. Central to understanding Jain philosophy is the concept of bhedavijñāna, or the clear distinction in the nature of the soul and non-soul entities. This principle underscores the innate purity and potential for liberation within every soul, distinct from the physical and mental elements that bind it to the cycle of birth and rebirth. Recognizing and internalizing this separation is essential for spiritual progress and the attainment of samyaka darśana (self realization), which marks the beginning of the aspirant's journey towards liberation. (Full article...)
    • Image 7 The Oxford Union debating chamber During a debate at the Oxford Union on 28 May 2015, the Indian Member of Parliament, diplomat and writer Shashi Tharoor delivered a speech supporting the motion "Britain owes reparations to her former colonies". Tharoor was the seventh speaker in the debate, the final speaker from the proposition, and spoke for about fifteen minutes. While criticising the opposition, he argued that British colonial rule damaged the Indian economy. Tharoor began his speech by arguing that the economic progress of Britain from the 18th-century onwards was financed by the economic exploitation and de-industrialisation of British India. He cited other negative effects of colonial rule on India, such as famines and the mandatory contribution of Indians toward the British war effort during the First and Second World Wars. Tharoor argued that supposed benefits of British colonialism, such as railways and democracy, were either constructed for the purposes of furthering economic exploitation or devised by Indians themselves. He ended his speech by suggesting that Britain pay one pound sterling per annum for the next two centuries as symbolic reparation. The side in favour of the motion won, with 185 votes to 56. (Full article...)
      The Oxford Union debating chamber


      During a debate at the Oxford Union on 28 May 2015, the Indian Member of Parliament, diplomat and writer Shashi Tharoor delivered a speech supporting the motion "Britain owes reparations to her former colonies". Tharoor was the seventh speaker in the debate, the final speaker from the proposition, and spoke for about fifteen minutes. While criticising the opposition, he argued that British colonial rule damaged the Indian economy.

      Tharoor began his speech by arguing that the economic progress of Britain from the 18th-century onwards was financed by the economic exploitation and de-industrialisation of British India. He cited other negative effects of colonial rule on India, such as famines and the mandatory contribution of Indians toward the British war effort during the First and Second World Wars. Tharoor argued that supposed benefits of British colonialism, such as railways and democracy, were either constructed for the purposes of furthering economic exploitation or devised by Indians themselves. He ended his speech by suggesting that Britain pay one pound sterling per annum for the next two centuries as symbolic reparation. The side in favour of the motion won, with 185 votes to 56. (Full article...)
    • Image 8 Shiva as Sharabha subduing Narasimha, panel view from Munneswaram temple in Sri Lanka Sharabha (Sanskrit: शरभ, Śarabha) or Sarabha is an eight-legged part-lion and part-bird deity in Hindu religion, who is described as more powerful than a lion or an elephant, possessing the ability to clear a valley in one jump in Sanskrit literature. In later literature, Sharabha is described as an eight-legged deer. The Shaiva scriptures narrate that the deity Shiva assumed the form of Sharabha to pacify Narasimha - the fierce man-lion avatar of Vishnu worshipped by the Vaishnava sect. This form is popularly known as Sharabheshvara ("Lord Sharabha") or Sharabheshvaramurti. Vaishnavas refute the portrayal of Narasimha as being destroyed by Shiva-Sharabha, and regard Sharabha as a name of Vishnu. Some Vaishnava scriptures such as the Narasimha Purana suggest that Vishnu assumed the form of the ferocious two-headed bird Gandabherunda, who in turn defeated Sharabha. (Full article...)
      Shiva as Sharabha subduing Narasimha, panel view from Munneswaram temple in Sri Lanka


      Sharabha (Sanskrit: शरभ, Śarabha) or Sarabha is an eight-legged part-lion and part-bird deity in Hindu religion, who is described as more powerful than a lion or an elephant, possessing the ability to clear a valley in one jump in Sanskrit literature. In later literature, Sharabha is described as an eight-legged deer.

      The Shaiva scriptures narrate that the deity Shiva assumed the form of Sharabha to pacify Narasimha - the fierce man-lion avatar of Vishnu worshipped by the Vaishnava sect. This form is popularly known as Sharabheshvara ("Lord Sharabha") or Sharabheshvaramurti. Vaishnavas refute the portrayal of Narasimha as being destroyed by Shiva-Sharabha, and regard Sharabha as a name of Vishnu. Some Vaishnava scriptures such as the Narasimha Purana suggest that Vishnu assumed the form of the ferocious two-headed bird Gandabherunda, who in turn defeated Sharabha. (Full article...)
    • Image 9 Soni is a 2018 Indian Hindi-language crime drama film directed by Ivan Ayr. Produced by Kimsi Singh and Kartikeya Narayan Singh, the film stars Geetika Vidya Ohlyan and Saloni Batra in the lead roles. It was written by Ayr and Kislay and chronicles the life of police officer Soni (Ohlyan) and her superintendent in Delhi Police Kalpana (Batra), who deal with crimes against women in the city. The idea for Soni occurred to Ayr in 2014 when he was reading that Delhi was being put under scrutiny for not being safe for women, especially after the 2012 gang rape case. Ayr read several articles and interviews about the Delhi police and was interested in woman officers' reactions to cases of sexual violence. He spent time with several Delhi police personnel and observed their daily routine. Pre-production started in November 2016 and Ayr finished the script in January 2017 and the film was shot for 24 days in Delhi in February. David Bolen served as the director of photography while Ayr and Gurvinder Singh edited the film. (Full article...)
      Soni is a 2018 Indian Hindi-language crime drama film directed by Ivan Ayr. Produced by Kimsi Singh and Kartikeya Narayan Singh, the film stars Geetika Vidya Ohlyan and Saloni Batra in the lead roles. It was written by Ayr and Kislay and chronicles the life of police officer Soni (Ohlyan) and her superintendent in Delhi Police Kalpana (Batra), who deal with crimes against women in the city.

      The idea for Soni occurred to Ayr in 2014 when he was reading that Delhi was being put under scrutiny for not being safe for women, especially after the 2012 gang rape case. Ayr read several articles and interviews about the Delhi police and was interested in woman officers' reactions to cases of sexual violence. He spent time with several Delhi police personnel and observed their daily routine. Pre-production started in November 2016 and Ayr finished the script in January 2017 and the film was shot for 24 days in Delhi in February. David Bolen served as the director of photography while Ayr and Gurvinder Singh edited the film. (Full article...)
    • Image 10 Tamil Nadu (/ˌtæmɪl ˈnɑːduː/; Tamil: [ˈtamiɻ ˈnaːɽɯ] ⓘ, abbr. TN) is the southernmost state of India. The tenth largest Indian state by area and the sixth largest by population, Tamil Nadu is the home of the Tamil people, who speak the Tamil language—the state's official language and one of the longest surviving classical languages of the world. The capital and largest city is Chennai. Located on the south-eastern coast of the Indian peninsula, Tamil Nadu is straddled by the Western Ghats and Deccan Plateau in the west, the Eastern Ghats in the north, the Eastern Coastal Plains lining the Bay of Bengal in the east, the Gulf of Mannar and the Palk Strait to the south-east, the Laccadive Sea at the southern cape of the peninsula, with the river Kaveri bisecting the state. Politically, Tamil Nadu is bound by the Indian states of Kerala, Karnataka, and Andhra Pradesh, and encloses a part of the union territory of Puducherry. It shares an international maritime border with the Northern Province of Sri Lanka at Pamban Island. (Full article...)

      Tamil Nadu (/ˌtæmɪl ˈnɑːduː/; Tamil: [ˈtamiɻ ˈnaːɽɯ] ⓘ, abbr. TN) is the southernmost state of India. The tenth largest Indian state by area and the sixth largest by population, Tamil Nadu is the home of the Tamil people, who speak the Tamil language—the state's official language and one of the longest surviving classical languages of the world. The capital and largest city is Chennai.

      Located on the south-eastern coast of the Indian peninsula, Tamil Nadu is straddled by the Western Ghats and Deccan Plateau in the west, the Eastern Ghats in the north, the Eastern Coastal Plains lining the Bay of Bengal in the east, the Gulf of Mannar and the Palk Strait to the south-east, the Laccadive Sea at the southern cape of the peninsula, with the river Kaveri bisecting the state. Politically, Tamil Nadu is bound by the Indian states of Kerala, Karnataka, and Andhra Pradesh, and encloses a part of the union territory of Puducherry. It shares an international maritime border with the Northern Province of Sri Lanka at Pamban Island. (Full article...)
    • Image 11 There are literary, archaeological, epigraphic and numismatic sources of ancient Tamil history. The foremost among these sources is the Sangam literature, generally dated to 5th century BCE to 3rd century CE. The poems in Sangam literature contain vivid descriptions of the different aspects of life and society in Tamilakam during this age; scholars agree that, for the most part, these are reliable accounts. Greek and Roman literature, around the dawn of the Christian era, give details of the maritime trade between Tamilakam and the Roman Empire, including the names and locations of many ports on both coasts of the Tamil country. Archaeological excavations of several sites in Tamil Nadu and Kerala have yielded remnants from the Sangam era, such as different kinds of pottery, pottery with inscriptions, imported ceramic ware, industrial objects, brick structures and spinning whorls. Techniques such as stratigraphy and paleography have helped establish the date of these items to the Sangam era. The excavated artifacts have provided evidence for existence of different economic activities mentioned in Sangam literature such as agriculture, weaving, smithy, gem cutting, building construction, pearl fishing and painting. (Full article...)
      There are literary, archaeological, epigraphic and numismatic sources of ancient Tamil history. The foremost among these sources is the Sangam literature, generally dated to 5th century BCE to 3rd century CE. The poems in Sangam literature contain vivid descriptions of the different aspects of life and society in Tamilakam during this age; scholars agree that, for the most part, these are reliable accounts. Greek and Roman literature, around the dawn of the Christian era, give details of the maritime trade between Tamilakam and the Roman Empire, including the names and locations of many ports on both coasts of the Tamil country.

      Archaeological excavations of several sites in Tamil Nadu and Kerala have yielded remnants from the Sangam era, such as different kinds of pottery, pottery with inscriptions, imported ceramic ware, industrial objects, brick structures and spinning whorls. Techniques such as stratigraphy and paleography have helped establish the date of these items to the Sangam era. The excavated artifacts have provided evidence for existence of different economic activities mentioned in Sangam literature such as agriculture, weaving, smithy, gem cutting, building construction, pearl fishing and painting. (Full article...)
    • Image 12 Kane Williamson was appointed as the captain of Sunrisers for 2018 IPL Sunrisers Hyderabad (SRH) are a franchise cricket team based in Hyderabad, Telangana, India, which plays in the Indian Premier League (IPL). They were one of the eight teams that competed in the 2018 Indian Premier League, making their sixth appearance in all IPL tournaments. The team was captained by Kane Williamson and coached by Tom Moody with Simon Helmot as assistant coach, Muttiah Muralitharan as bowling coach and V. V. S. Laxman as mentor. They began their season by winning their opening fixture on 9 April, and went on to become the first team to qualify for the play-offs on 10 May. They beat the Kolkata Knight Riders in Qualifier 2 to reach the Final where they lost to the Chennai Super Kings by eight wickets to finish the season as runners-up. Williamson won the Orange Cap for scoring 735 runs in the IPL season. (Full article...)
      A man playing a shot wearing New Zealand Test jersey
      Kane Williamson was appointed as the captain of Sunrisers for 2018 IPL

      Sunrisers Hyderabad (SRH) are a franchise cricket team based in Hyderabad, Telangana, India, which plays in the Indian Premier League (IPL). They were one of the eight teams that competed in the 2018 Indian Premier League, making their sixth appearance in all IPL tournaments. The team was captained by Kane Williamson and coached by Tom Moody with Simon Helmot as assistant coach, Muttiah Muralitharan as bowling coach and V. V. S. Laxman as mentor.

      They began their season by winning their opening fixture on 9 April, and went on to become the first team to qualify for the play-offs on 10 May. They beat the Kolkata Knight Riders in Qualifier 2 to reach the Final where they lost to the Chennai Super Kings by eight wickets to finish the season as runners-up. Williamson won the Orange Cap for scoring 735 runs in the IPL season. (Full article...)
    • Image 13 N. manalari, with Indian five-rupee coin for scale Nyctibatrachus manalari, the Manalar night frog, is a species of frog in the robust frog family Nyctibatrachidae. It was described in 2017, along with six other species in its genus, by the herpetologist Sonali Garg and her colleagues. A small frog, it has an adult male snout–vent length of 13.1–15.4 mm (0.52–0.61 in). It is mainly reddish-brown in color, with a pale patch on the snout, lighter undersides, and dark brown horizontal lines on the limbs. When preserved in ethanol, it is mostly grey to greyish-brown, with grayish-white undersides. It is endemic to the Western Ghats of India, where it is known from the Periyar Tiger Reserve in Kerala and Meghamalai Wildlife Sanctuary in Tamil Nadu, although its range is likely larger than currently known. It reproduces by laying eggs, with the only known clutch having eight eggs. The species is currently classified as being data deficient by the IUCN due to a lack of information about it; threats to the species include pesticide usage and chytridiomycosis. (Full article...)

      N. manalari, with Indian five-rupee coin for scale

      Nyctibatrachus manalari, the Manalar night frog, is a species of frog in the robust frog family Nyctibatrachidae. It was described in 2017, along with six other species in its genus, by the herpetologist Sonali Garg and her colleagues. A small frog, it has an adult male snout–vent length of 13.1–15.4 mm (0.52–0.61 in). It is mainly reddish-brown in color, with a pale patch on the snout, lighter undersides, and dark brown horizontal lines on the limbs. When preserved in ethanol, it is mostly grey to greyish-brown, with grayish-white undersides.

      It is endemic to the Western Ghats of India, where it is known from the Periyar Tiger Reserve in Kerala and Meghamalai Wildlife Sanctuary in Tamil Nadu, although its range is likely larger than currently known. It reproduces by laying eggs, with the only known clutch having eight eggs. The species is currently classified as being data deficient by the IUCN due to a lack of information about it; threats to the species include pesticide usage and chytridiomycosis. (Full article...)
    • Image 14 Anurag at IFFK 2022 Anurag Kashyap (born 10 September 1972) is an Indian filmmaker and actor known for his works in Hindi cinema. He is the recipient of four Filmfare Awards. For his contributions to films, the Government of France made him a Knight of the Order of Arts and Letters in 2013. After writing a television serial, Kashyap got his major break as a co-writer in Ram Gopal Varma's crime drama Satya (1998) and made his directorial debut with Paanch, which never had a theatrical release due to censorship issues. He then went on to direct Black Friday (2004), a film based on the namesake book by Hussain Zaidi about the 1993 Bombay bombings. Its release was held up for two years by the District Board of Film Certification because of the pending verdict of the case at that time but was released in 2007 to widespread critical appreciation. Kashyap's follow-up, No Smoking (2007) met with negative reviews and performed poorly at the box-office. His next venture Dev.D (2009), a modern adaptation of Devdas received positive reviews and was a commercial success; followed by the socio-political drama Gulaal (2009), and the thriller That Girl in Yellow Boots (2011). (Full article...)

      Anurag at IFFK 2022

      Anurag Kashyap (born 10 September 1972) is an Indian filmmaker and actor known for his works in Hindi cinema. He is the recipient of four Filmfare Awards. For his contributions to films, the Government of France made him a Knight of the Order of Arts and Letters in 2013.

      After writing a television serial, Kashyap got his major break as a co-writer in Ram Gopal Varma's crime drama Satya (1998) and made his directorial debut with Paanch, which never had a theatrical release due to censorship issues. He then went on to direct Black Friday (2004), a film based on the namesake book by Hussain Zaidi about the 1993 Bombay bombings. Its release was held up for two years by the District Board of Film Certification because of the pending verdict of the case at that time but was released in 2007 to widespread critical appreciation. Kashyap's follow-up, No Smoking (2007) met with negative reviews and performed poorly at the box-office. His next venture Dev.D (2009), a modern adaptation of Devdas received positive reviews and was a commercial success; followed by the socio-political drama Gulaal (2009), and the thriller That Girl in Yellow Boots (2011). (Full article...)
    • Image 15 Chunj on a Map The Battle of Chunj, also known as the Chunj Operation, was a military campaign fought between Pakistani and Indian forces from 25 June until 23 November 1948, during the Indo-Pakistani war of 1947–1948. The Indian 163rd Brigade first advanced from Handwara to Tithwal and from Uri to Urusa. The 163rd Brigade then launched an offensive from Tithwal, raising a threat to Pakistani-held Muzaffarabad. The move caused much panic in the Pakistani high command. The capture of Domel was the main objective of the Indian offensive. Domel, only 18 miles (29 km) from Tithwal, was a key position for the Pakistan Army to hold in Muzaffarabad. The 10th Brigade of the Pakistan Army, under Brigadier Haji Iftikhar Ahmad, was tasked to stop the Indian advance, and defend Muzaffarabad at all costs. The Pakistani high command also consider it necessary to drive out the Indian troops from the heights of the Chunj range and push the Indian troops back to the left bank of the Neelum River, also known as the Kishanganga River. Because of the evacuation of all the advanced positions across the river, the Indian command considered it a major loss. (Full article...)

      Chunj on a Map

      The Battle of Chunj, also known as the Chunj Operation, was a military campaign fought between Pakistani and Indian forces from 25 June until 23 November 1948, during the Indo-Pakistani war of 1947–1948. The Indian 163rd Brigade first advanced from Handwara to Tithwal and from Uri to Urusa. The 163rd Brigade then launched an offensive from Tithwal, raising a threat to Pakistani-held Muzaffarabad. The move caused much panic in the Pakistani high command. The capture of Domel was the main objective of the Indian offensive. Domel, only 18 miles (29 km) from Tithwal, was a key position for the Pakistan Army to hold in Muzaffarabad.

      The 10th Brigade of the Pakistan Army, under Brigadier Haji Iftikhar Ahmad, was tasked to stop the Indian advance, and defend Muzaffarabad at all costs. The Pakistani high command also consider it necessary to drive out the Indian troops from the heights of the Chunj range and push the Indian troops back to the left bank of the Neelum River, also known as the Kishanganga River. Because of the evacuation of all the advanced positions across the river, the Indian command considered it a major loss. (Full article...)
    • Image 16 Risley Sir Herbert Hope Risley KCIE CSI FRAI (4 January 1851 – 30 September 1911) was a British ethnographer and colonial administrator, a member of the Indian Civil Service who conducted extensive studies on the tribes and castes of the Bengal Presidency. He is notable for the formal identification of the centuries old established caste system of the entire Hindu population of British India in the 1901 census, of which he was in charge. As an exponent of scientific racism, he used anthropometric data to divide Indians into seven races. Risley was born in Buckinghamshire, England, in 1851 and attended New College, Oxford University prior to joining the Indian Civil Service (ICS). He was initially posted to Bengal, where his professional duties engaged him in statistical and ethnographic research, and he soon developed an interest in anthropology. His decision to indulge these interests curtailed his initial rapid advancement through the ranks of the Service, although he was later appointed Census Commissioner and, shortly before his death in 1911, became Permanent Secretary at the India Office in London. In the intervening years he compiled various studies of Indian communities based on ideas that are now considered to constitute scientific racism. He emphasised the value of fieldwork and anthropometric studies, in contrast to the reliance on old texts and folklore that had historically been the methodology of Indologists and which was still a significant approach in his lifetime. (Full article...)

      Risley

      Sir Herbert Hope Risley KCIE CSI FRAI (4 January 1851 – 30 September 1911) was a British ethnographer and colonial administrator, a member of the Indian Civil Service who conducted extensive studies on the tribes and castes of the Bengal Presidency. He is notable for the formal identification of the centuries old established caste system of the entire Hindu population of British India in the 1901 census, of which he was in charge. As an exponent of scientific racism, he used anthropometric data to divide Indians into seven races.

      Risley was born in Buckinghamshire, England, in 1851 and attended New College, Oxford University prior to joining the Indian Civil Service (ICS). He was initially posted to Bengal, where his professional duties engaged him in statistical and ethnographic research, and he soon developed an interest in anthropology. His decision to indulge these interests curtailed his initial rapid advancement through the ranks of the Service, although he was later appointed Census Commissioner and, shortly before his death in 1911, became Permanent Secretary at the India Office in London. In the intervening years he compiled various studies of Indian communities based on ideas that are now considered to constitute scientific racism. He emphasised the value of fieldwork and anthropometric studies, in contrast to the reliance on old texts and folklore that had historically been the methodology of Indologists and which was still a significant approach in his lifetime. (Full article...)
    • Image 17 Wreckage of VT-AXV at the accident site Air India Express Flight 812 was a scheduled international flight from Dubai International Airport, Dubai to Mangalore International Airport, Mangalore. On 22 May 2010, the Boeing 737-800 passenger jet operating the flight crashed on landing at Mangalore. The captain had continued an unstabilised approach, despite three calls from the first officer to initiate a "go-around", resulting in the aircraft overshooting the runway, falling down a hillside, and bursting into flames. Of the 166 passengers and crew on board, 158 were killed (all 6 crew members and 152 passengers); only eight survived. This was the first fatal accident involving Air India Express and, as of 2025, the deadliest. (Full article...)

      Wreckage of VT-AXV at the accident site

      Air India Express Flight 812 was a scheduled international flight from Dubai International Airport, Dubai to Mangalore International Airport, Mangalore. On 22 May 2010, the Boeing 737-800 passenger jet operating the flight crashed on landing at Mangalore. The captain had continued an unstabilised approach, despite three calls from the first officer to initiate a "go-around", resulting in the aircraft overshooting the runway, falling down a hillside, and bursting into flames. Of the 166 passengers and crew on board, 158 were killed (all 6 crew members and 152 passengers); only eight survived. This was the first fatal accident involving Air India Express and, as of 2025, the deadliest. (Full article...)
    • Image 18 The Oath of the Vayuputras is the third book of Amish Tripathi, third book of Amishverse, and also the third book of Shiva Trilogy. The book was released on 27 February 2013, through Westland Press and completes the mythical story about an imaginary land Meluha and how its inhabitants were saved by a barbarian named Shiva. Starting from where the previous installment left off, Shiva discovers what is the true evil in The Oath of the Vayuputras. Shiva then declares a holy war on those who seek to continue to use it, mainly the Emperors Daksha and Dilipa, who are being controlled by the sage Bhrigu. The battle rages on and Shiva travels to the land of Pariha to consult with Vayuputras, a legendary tribe. By the time he returns, the war has ended with Sati, his wife, being murdered. An enraged Shiva destroys the capital of Meluha and Somras is wiped out of history. The story concludes with Shiva and his associates being popularized as Gods for their deeds and accomplishments. Tripathi had confirmed in September 2011 that he was writing The Oath of the Vayuputras, with Westland announcing the release date as 27 February 2013. The book was longer than the previous installments of the series and Tripathi clarified that all the loose ends left out in the previous book would be addressed, with the death of certain characters. Following the release of the cover art, it was announced that the publication rights of the books have been bought by both US and UK publisher houses. Like The Immortals of Meluha and The Secret of the Nagas, the book contained innovative marketing techniques, including launching interactive apps, merchandise and a music album titled Vayuputras, containing music inspired by different events in the series. (Full article...)
      The Oath of the Vayuputras is the third book of Amish Tripathi, third book of Amishverse, and also the third book of Shiva Trilogy. The book was released on 27 February 2013, through Westland Press and completes the mythical story about an imaginary land Meluha and how its inhabitants were saved by a barbarian named Shiva. Starting from where the previous installment left off, Shiva discovers what is the true evil in The Oath of the Vayuputras. Shiva then declares a holy war on those who seek to continue to use it, mainly the Emperors Daksha and Dilipa, who are being controlled by the sage Bhrigu. The battle rages on and Shiva travels to the land of Pariha to consult with Vayuputras, a legendary tribe. By the time he returns, the war has ended with Sati, his wife, being murdered. An enraged Shiva destroys the capital of Meluha and Somras is wiped out of history. The story concludes with Shiva and his associates being popularized as Gods for their deeds and accomplishments.

      Tripathi had confirmed in September 2011 that he was writing The Oath of the Vayuputras, with Westland announcing the release date as 27 February 2013. The book was longer than the previous installments of the series and Tripathi clarified that all the loose ends left out in the previous book would be addressed, with the death of certain characters. Following the release of the cover art, it was announced that the publication rights of the books have been bought by both US and UK publisher houses. Like The Immortals of Meluha and The Secret of the Nagas, the book contained innovative marketing techniques, including launching interactive apps, merchandise and a music album titled Vayuputras, containing music inspired by different events in the series. (Full article...)
    • Image 19 Collaborations is a four-disc compilation box set by the Indian classical musician Ravi Shankar and the former Beatle George Harrison. Released in October 2010 on Dark Horse Records, it compiles two studio albums originally issued on that label – the long-unavailable Shankar Family & Friends (1974) and Ravi Shankar's Music Festival from India (1976) – and Chants of India, first issued on Angel Records in 1997. Although all three albums were originally Shankar releases, for which Harrison served in the role of music producer and guest musician, both Shankar and Harrison are credited as artists on the box set. Each of the collaborative projects represents a departure from Shankar's more typical work as a sitarist and performer of Hindustani classical ragas, with the box set showcasing his forays into, variously, jazz and rock, Indian folk and orchestral ensembles, and devotional music. The fourth disc of Collaborations is a DVD containing previously unissued film of a performance by the Music Festival from India, recorded at London's Royal Albert Hall in September 1974. Filmed by director Stuart Cooper, the footage required substantial restoration for its 2010 release. An audio-only track on the DVD, prepared by Anoushka Shankar and Paul Hicks, provides a more complete record of the concert. (Full article...)
      Collaborations is a four-disc compilation box set by the Indian classical musician Ravi Shankar and the former Beatle George Harrison. Released in October 2010 on Dark Horse Records, it compiles two studio albums originally issued on that label – the long-unavailable Shankar Family & Friends (1974) and Ravi Shankar's Music Festival from India (1976) – and Chants of India, first issued on Angel Records in 1997. Although all three albums were originally Shankar releases, for which Harrison served in the role of music producer and guest musician, both Shankar and Harrison are credited as artists on the box set. Each of the collaborative projects represents a departure from Shankar's more typical work as a sitarist and performer of Hindustani classical ragas, with the box set showcasing his forays into, variously, jazz and rock, Indian folk and orchestral ensembles, and devotional music.

      The fourth disc of Collaborations is a DVD containing previously unissued film of a performance by the Music Festival from India, recorded at London's Royal Albert Hall in September 1974. Filmed by director Stuart Cooper, the footage required substantial restoration for its 2010 release. An audio-only track on the DVD, prepared by Anoushka Shankar and Paul Hicks, provides a more complete record of the concert. (Full article...)
    • Image 20 16 Vayathinile (transl. At age 16; read as Pathinaaru Vayathinile) is a 1977 Indian Tamil-language romantic drama film co-written and directed by Bharathirajaa in his directorial debut. The film stars Kamal Haasan, Sridevi, and Rajinikanth, with Gandhimathi, Sathyajith and Goundamani in supporting roles. It focuses on the strengths and vulnerabilities of Mayil (Sridevi), a 16-year-old schoolgirl, and the challenges she faces and overcomes. The film was originally titled Mayil, and set to be funded by the National Film Development Corporation of India. When they backed out, it was picked up by S. A. Rajkannu who produced it under his banner Shri Amman Creations, and eventually retitled. 16 Vayathinile became the first Tamil film to be shot predominantly outdoors; Tamil films were primarily filmed in Madras studios. Its soundtrack album and background score were composed by Ilaiyaraaja, with cinematography by P. S. Nivas. P. Kalaimani wrote the film's dialogue. (Full article...)
      16 Vayathinile (transl. At age 16; read as Pathinaaru Vayathinile) is a 1977 Indian Tamil-language romantic drama film co-written and directed by Bharathirajaa in his directorial debut. The film stars Kamal Haasan, Sridevi, and Rajinikanth, with Gandhimathi, Sathyajith and Goundamani in supporting roles. It focuses on the strengths and vulnerabilities of Mayil (Sridevi), a 16-year-old schoolgirl, and the challenges she faces and overcomes.

      The film was originally titled Mayil, and set to be funded by the National Film Development Corporation of India. When they backed out, it was picked up by S. A. Rajkannu who produced it under his banner Shri Amman Creations, and eventually retitled. 16 Vayathinile became the first Tamil film to be shot predominantly outdoors; Tamil films were primarily filmed in Madras studios. Its soundtrack album and background score were composed by Ilaiyaraaja, with cinematography by P. S. Nivas. P. Kalaimani wrote the film's dialogue. (Full article...)
    • Image 21 Bumrah in 2024 Jasprit Jasbirsingh Bumrah (Punjabi: [dʒəsˈpɾiːt̪ bʊmˈɾaː]; born 6 December 1993) is an Indian cricketer who plays for the national team in all formats of the cricket and has captained India in Tests and T20Is. A right-arm fast bowler, Bumrah plays for Gujarat in domestic cricket and for Mumbai Indians in the Indian Premier League. Bumrah was a crucial member of the Indian team that won the 2024 T20 World Cup, where he was named the Player of the Tournament for taking 15 wickets with an average economy of 4.17. Among Indian fast bowlers, he took 200 wickets in the fewest matches and reached 100 wickets in ODI cricket in the second-shortest time, in terms of matches played. He is the first bowler to have achieved the number one ranking in the ICC men's player rankings in all three formats of the cricket. He also holds the record of scoring the highest number of runs in an over in Test cricket. He achieved this feat against Stuart Broad. (Full article...)

      Bumrah in 2024

      Jasprit Jasbirsingh Bumrah (Punjabi: [dʒəsˈpɾiːt̪ bʊmˈɾaː]; born 6 December 1993) is an Indian cricketer who plays for the national team in all formats of the cricket and has captained India in Tests and T20Is. A right-arm fast bowler, Bumrah plays for Gujarat in domestic cricket and for Mumbai Indians in the Indian Premier League. Bumrah was a crucial member of the Indian team that won the 2024 T20 World Cup, where he was named the Player of the Tournament for taking 15 wickets with an average economy of 4.17.

      Among Indian fast bowlers, he took 200 wickets in the fewest matches and reached 100 wickets in ODI cricket in the second-shortest time, in terms of matches played. He is the first bowler to have achieved the number one ranking in the ICC men's player rankings in all three formats of the cricket. He also holds the record of scoring the highest number of runs in an over in Test cricket. He achieved this feat against Stuart Broad. (Full article...)
    • Image 22 Malhotra with the Montreal Canadiens in April 2015 Emmanuel "Manny" Noveen Malhotra (born May 18, 1980) is a Canadian former professional ice hockey centre. He is the head coach of the Abbotsford Canucks of the American Hockey League (AHL), and was previously an assistant coach in the National Hockey League (NHL) with the Vancouver Canucks and Toronto Maple Leafs. During his 18-year career, he played as a centre for the Montreal Canadiens, Carolina Hurricanes, Vancouver Canucks, San Jose Sharks, Columbus Blue Jackets, Dallas Stars and the New York Rangers. Malhotra was known as a two-way forward and for his faceoff proficiency, in which he won over 56% of faceoffs he took in the NHL. He last played with the Lake Erie Monsters of the AHL on a try-out basis in 2015. (Full article...)

      Malhotra with the Montreal Canadiens in April 2015

      Emmanuel "Manny" Noveen Malhotra (born May 18, 1980) is a Canadian former professional ice hockey centre. He is the head coach of the Abbotsford Canucks of the American Hockey League (AHL), and was previously an assistant coach in the National Hockey League (NHL) with the Vancouver Canucks and Toronto Maple Leafs.

      During his 18-year career, he played as a centre for the Montreal Canadiens, Carolina Hurricanes, Vancouver Canucks, San Jose Sharks, Columbus Blue Jackets, Dallas Stars and the New York Rangers. Malhotra was known as a two-way forward and for his faceoff proficiency, in which he won over 56% of faceoffs he took in the NHL. He last played with the Lake Erie Monsters of the AHL on a try-out basis in 2015. (Full article...)
    • Image 23 The East Bengal Ultras (Bengali pronunciation: [ˈi:st ˌbenˈɡɔːl ˈʌltrəz]) is the vocal supporters' group of an Indian football club, East Bengal, which competes in the ISL—the top tier football league in India. The group is also often referred to as the Bangal Brigade since much of its fanbase originates from the eastern region of Bengal. Founded in 2013, it was the first ultras group in Indian football and has been credited with revolutionising the fan movement. East Bengal Ultras was the first supporters' group in India to organise an on-field pyrotechnics show and the first in South Asia to organise a live chant show, which was named Tunes of Colony, in 2019. The group has around 25 chants and slogans. East Bengal Ultras is known for making some of the largest unique tifos and banners in Indian football. In the 2019–20 I-League season, it set a record for the biggest tifo—10,000 sq ft (930 m2)—in Indian football history at that time, breaking the previous record of 7,200 sq ft (670 m2) which the group had also set. (Full article...)
      The East Bengal Ultras (Bengali pronunciation: [ˈi:st ˌbenˈɡɔːl ˈʌltrəz]) is the vocal supporters' group of an Indian football club, East Bengal, which competes in the ISL—the top tier football league in India. The group is also often referred to as the Bangal Brigade since much of its fanbase originates from the eastern region of Bengal. Founded in 2013, it was the first ultras group in Indian football and has been credited with revolutionising the fan movement. East Bengal Ultras was the first supporters' group in India to organise an on-field pyrotechnics show and the first in South Asia to organise a live chant show, which was named Tunes of Colony, in 2019. The group has around 25 chants and slogans.

      East Bengal Ultras is known for making some of the largest unique tifos and banners in Indian football. In the 2019–20 I-League season, it set a record for the biggest tifo—10,000 sq ft (930 m2)—in Indian football history at that time, breaking the previous record of 7,200 sq ft (670 m2) which the group had also set. (Full article...)
    • Image 24 Khosla Ka Ghosla (transl. Khosla's nest) is a 2006 Indian Hindi-language comedy drama film directed by Dibakar Banerjee, in his directorial debut. It was produced by Savita Raj Hiremath under the Taandav Films label and Ronnie Screwvala from UTV Motion Pictures. Written by Jaideep Sahni, the film stars Anupam Kher, Boman Irani, Parvin Dabas, Vinay Pathak, Ranvir Shorey and Tara Sharma in the lead roles. The story follows Kamal Kishore Khosla (Kher), a middle-class Delhiite and his family's attempt to reclaim their land which has been seized by a builder, Khurana (Irani). Banerjee, an advertising filmmaker, wanted to make a feature film which showcased Delhi the way it is. The initial idea conceived by Hiremath and Sahni was about a generation gap. After finishing the script, Sahni informed Banerjee that he had found a producer in Delhi and asked him if he wanted to direct the film; Banerjee agreed to do so. The film had no buyers for two years during which time editing continued. The team showed the film to several people who loved it but were unwilling to back it. In 2006, UTV Motion Pictures stepped in and distributed the film. (Full article...)
      Khosla Ka Ghosla (transl. Khosla's nest) is a 2006 Indian Hindi-language comedy drama film directed by Dibakar Banerjee, in his directorial debut. It was produced by Savita Raj Hiremath under the Taandav Films label and Ronnie Screwvala from UTV Motion Pictures. Written by Jaideep Sahni, the film stars Anupam Kher, Boman Irani, Parvin Dabas, Vinay Pathak, Ranvir Shorey and Tara Sharma in the lead roles. The story follows Kamal Kishore Khosla (Kher), a middle-class Delhiite and his family's attempt to reclaim their land which has been seized by a builder, Khurana (Irani).

      Banerjee, an advertising filmmaker, wanted to make a feature film which showcased Delhi the way it is. The initial idea conceived by Hiremath and Sahni was about a generation gap. After finishing the script, Sahni informed Banerjee that he had found a producer in Delhi and asked him if he wanted to direct the film; Banerjee agreed to do so. The film had no buyers for two years during which time editing continued. The team showed the film to several people who loved it but were unwilling to back it. In 2006, UTV Motion Pictures stepped in and distributed the film. (Full article...)
    • Image 25 George Vernon In the 1889–90 cricket season, an English team managed by George Vernon and captained by Lord Hawke toured Ceylon and India. It was a pioneering tour being the first visit by an English team to India and the second to Ceylon, following the stopover by Ivo Bligh's team to Australia in 1882–83. Vernon's team, known as G. F. Vernon's XI, was entirely composed of players with amateur status and, in the absence of professionals, none of its matches have been recognised as first-class. In all, they played thirteen matches from 28 November 1889 to 1 March 1890, starting with two games in Ceylon before moving on to Calcutta where the Indian part of the tour began in late December. Of the thirteen matches, Vernon's XI won ten (six by over an innings) and drew two. They were defeated only once, by the Parsis in a match which had great significance for the native communities living under the rule of the British Raj. The matches were all played under the Laws of Cricket which prevailed in England at the time, including the compulsory follow-on and the recently introduced 5-ball over. The tour was a success and it made a significant contribution to the growth and development of cricket in the sub-continent. (Full article...)
      George Vernon

      In the 1889–90 cricket season, an English team managed by George Vernon and captained by Lord Hawke toured Ceylon and India. It was a pioneering tour being the first visit by an English team to India and the second to Ceylon, following the stopover by Ivo Bligh's team to Australia in 1882–83. Vernon's team, known as G. F. Vernon's XI, was entirely composed of players with amateur status and, in the absence of professionals, none of its matches have been recognised as first-class. In all, they played thirteen matches from 28 November 1889 to 1 March 1890, starting with two games in Ceylon before moving on to Calcutta where the Indian part of the tour began in late December.

      Of the thirteen matches, Vernon's XI won ten (six by over an innings) and drew two. They were defeated only once, by the Parsis in a match which had great significance for the native communities living under the rule of the British Raj. The matches were all played under the Laws of Cricket which prevailed in England at the time, including the compulsory follow-on and the recently introduced 5-ball over. The tour was a success and it made a significant contribution to the growth and development of cricket in the sub-continent. (Full article...)
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    Government agencies, Legislative branch (Lok Sabha, Rajya Sabha) Executive branch (President & Vice President, Prime Minister & Deputy Prime Minister, Cabinet Ministers, Cabinet Secretary, Election Commission, Foreign Minister; Law enforcement: CBI, CID, Intelligence: IB, RAW), Directorate General of Income Tax Investigation Judicial branch (Supreme Court), Armed Forces (Army, Navy, Air Force, Border Security Force, Coast Guard)

    Himalayas, Western Ghats, Eastern Ghats, Indo-Gangetic Plain, Deccan Plateau, Thar Desert, Ganges, Rann of Kutch, Brahmaputra River, Northeast India; Mountains, Valleys, Islands, Rivers; States and union territories, Cities, Districts, Regions, Fauna, Flora

    Rupee, Bombay Stock Exchange, National Stock Exchange, Standard of living, Companies, Reserve Bank of India, Energy policy (Solar, Wind, Nuclear), Tourism, Transport (Expressways, Rail transport, Auto rickshaw),

    Languages, Standard of living, Religion

    Music (Carnatic, Hindustani, Indi-pop), Dance, Languages, Literature, Architecture, Film & TV, Cuisine, Holidays, Folklore, Education, Media, Indian martial arts

    Indian Council of Agricultural Research (ICAR), Indian Institute of Astrophysics, National Centre for Software Technology, AIIMS, IISc, IIT, NIT, BITS-Pilani, INRegistry, Indian numbering system, Indian Space Research Organisation, National Internet Exchange of India, ICRISAT, International Institute of Information Technology, Hyderabad

    Other

    Indian English, Indian nationality law, Numbering system, Indian Space Research Organisation, Telecommunications, National Highways Development Project, Flag, Vehicle registration plates, Indian nationalism, Metrication in India

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