Ehsan Danish

Wilhelm Vorwerg (1899–1990) was a German art director who designed the sets for over fifty films including a number of Rialto Film's series of Edgar Wallace adaptations in the 1960s.^[1]

• In the Name of the People (1939)
• Target in the Clouds (1939)
• The Leghorn Hat (1939)
• Venus on Trial (1941)
• Love Letters (1944)
• Summer Nights (1944)
• 1-2-3 Corona (1948)
• The Cuckoos (1949)
• How Do We Tell Our Children? (1949)
• Life Begins at Seventeen (1953)
• Anna Susanna (1953)
• Annie from Tharau (1954)
• The Perfect Couple (1954)
• Heroism after Hours (1955)
• Urlaub auf Ehrenwort (1955)
• Island of the Dead (1955)
• My Father, the Actor (1956)
• Stresemann (1957)
• The Fox of Paris (1957)
• Two Hearts in May (1958)
• The Shadows Grow Longer (1961)
• World in My Pocket (1961)
• Café Oriental (1962)
• The Indian Scarf (1963)
• The Curse of the Hidden Vault (1964)
• The Secret of Dr. Mabuse (1964)
• Room 13 (1964)
• The Monk with the Whip (1967)
• The Gorilla of Soho (1968)
• The Hound of Blackwood Castle (1968)
• The Man with the Glass Eye (1969)

• Bergfelder, Tim. International Adventures: German Popular Cinema and European Co-Productions in the 1960s. Berghahn Books, 2005.

• Wilhelm Vorwerg at IMDb