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Dai Sijie

August Derleth, a key early figure in the field. His arguments are however poorly viewed by modern scholarship

Lovecraft studies is the body of research that has emerged surrounding the works of H. P. Lovecraft. It began with the dissemination of Lovecraft's works by Arkham House during the decades after his death. The scholars in the field sought to establish Lovecraft as a major author of American speculative fiction during its foundational period in the 1970s. After the death of August Derleth, the founder of Arkham House, the field shifted in a direction away from the one that he promoted. L. Sprague de Camp's biography of Lovecraft emerged during this time. While criticized by portions of the fans and scholarship, it played a significant role in his literary rise. During the late 1970s and early 1980s, the scholars were split between traditionalist who supported Derleth's positions on Lovecraft and those who did not. The 1980s and 1990s featured an expansion of the field, including the H. P. Lovecraft Centennial Conference. Memorials to Lovecraft began to appear in his home city of Providence, Rhode Island and his works began to be published by Penguin Classics. S. T. Joshi, a major figure in the field, wrote a biography of Lovecraft that superseded de Camp's work. In 2005, the Library of America, published a volume of Lovecraft's works that solidified the perception that H. P. Lovecraft was now part of the western canon. The NecronomiCon Providence, a biannual scholarly and fan conference managed by the Lovecraft Arts and Sciences organization, began to be held in 2013.

History

Early efforts & Derleth's work (1937 - 1971)

Lovecraft died largely unknown in 1937; his works having been usually associated with pulp magazines like Weird Tales. August Derleth, a friend of the late Lovecraft, is credited with the preservation and dissemination of Lovecraft's writing in this period, much of which was unpublished in his lifetime. Derleth founded Arkham House for this purpose in 1939. While Lovecraft studies as a serious scholarly field did not emerge until the 1970s, S. T. Joshi, credits the development of the field to Derleth's work.

However, work in this period was marred by low quality editions and misinterpretations of Lovecraft's worldview. For example, Derleth incorrectly argued that there was a dichotomy between the good "Elder Gods" and the evil "Old Ones" in Lovecraft's fiction, the expulsion of these Old Ones paralleled Christian theology, the beings in the stories were elementals, and Lovecraft's stories could be clearly divided into sets.[1] Fritz Leiber, Matthew H. Onderdonk, and George T. Wetzel were among the early critics who were active in Derleth's time; they opposed others such as Edmund Wilson.[2] Perhaps most egregiously, Derleth also published sixteen works claiming that they were collaborations between himself and the late Lovecraft; in truth they were written almost entirely by Derleth and included only loose concepts or fragments of original texts. These are not considered Lovecraft works by modern scholarship.[3] Joshi has stated that Derleth was responsible for the "propagation of numerous errors, distortions, and outright lies about Lovecraft’s fiction and general philosophy".[4]

Wider scholarship (1971 - 2004)

S. T. Joshi, editor of Lovecraft Studies and an influencial figure in the modern field.

After the death of Derleth in 1971, scholars began to challenge his interpretations of Lovecraft's fiction. This process was begun by Richard L. Tierney's 1972 paper titled "The Derleth Mythos".[5] Dirk W. Mosig furthered this line of thought and Derleth's interpretation ceased to be mainstream amongst the scholars.[1] The 1970s and early 1980s were marked by conflict between "Derlethian traditionalists" who wished to interpret Lovecraft through the lens of fantasy literature and the newer scholars who wished to place greater attention on the entirety of his corpus.[6]

L. Sprague de Camp, a science fiction scholar, wrote the first major Lovecraft biography in 1975. This biography was criticized by early Lovecraft scholars for its lack of scholarly merit and its lack of sympathy for its subject. Frank Belknap Long, one of Lovecraft's friends and correspondents, wrote his own book in an attempt to counteract the effects of this biography. Despite the criticism, de Camp's biography played a significant role in Lovecraft's literary rise. It exposed Lovecraft to the mainstream of American literary criticism.[7] The first Lovecraftian scholarly journal, Lovecraft Studies, began to be published in 1979. It served as the main outlet for scholarship in the field and was edited by S. T. Joshi.[8]

The 1980s and 1990s saw a further proliferation of the field. This period saw the rise of the "Providence Pals", a group of scholarly fans who were the central figures in the field during those decades. They included S. T. Joshi, Donald R. Burleson, Robert M. Price, and Peter Cannon. These scholars contributed to various advancements in the field, including the publication of corrected versions of H. P. Lovecraft's stories, essays, and writings.[9] Price began to publish his own scholarly fanzine, Crypt of Cthulhu in 1981. It publishes both scholarship and fiction.[10] The 1990 H. P. Lovecraft Centennial Conference and the republication of older essays in An Epicure in the Terrible served as bases for then-future studies. The 1990 centennial also saw the installation of the "H. P. Lovecraft Memorial Plaque" in a garden adjoining John Hay Library, that features a portrait by silhouettist E. J. Perry.[11] Following this, in 1996, S. T. Joshi wrote his own biography of Lovecraft. This biography was met with positive reviews and became the main biography in the field. It has since been superseded by his expanded edition of the book, I am Providence in 2010.[12] Lovecraft's improving literary reputation has caused his works to receive increased attention by both classics publishers and scholarly fans.[13] His works have been published by several different series of literary classics. Penguin Classics published three volumes of Lovecraft's works between 1999 and 2004. These volumes were edited by S. T. Joshi.[13]

Western canon (2005 - present)

The Library of America published a volume of Lovecraft's works in 2005. The publishing of these volumes represented a reversal of the traditional judgment that Lovecraft was not part of the Western canon.[14] Lovecraft Studies experienced a hiatus in 2006 and was replaced by the Lovecraft Annual a year later.[10] Barnes & Noble would publish their own volume of Lovecraft's complete fiction in 2008. Meanwhile, the biannual NecronomiCon Providence convention was first held in 2013. Its purpose is to serve as a fan and scholarly convention that discusses both Lovecraft and the wider field of weird fiction. It is organized by the Lovecraft Arts and Sciences organization and is held on the weekend of Lovecraft's birth.[15] That July, the Providence City Council designated the "H. P. Lovecraft Memorial Square" and installed a commemorative sign at the intersection of Angell and Prospect streets, near the author's former residences.[16]

See also

Lovecraft fandom

Citations

  1. ^ a b Joshi 1985b, pp. 57–58.
  2. ^ Joshi 2001, pp. 390–391.
  3. ^ S. T. Joshi (2009). H.P. Lovecraft : A Comprehensive Bibliography. Tampa, FL: University of Tampa Press. ISBN 978-1-59732-069-6. Archived from the original on July 25, 2015. Retrieved July 25, 2015. These sixteen stories, listed as by "H.P. Lovecraft and August Derleth", were in fact written almost entirely by Derleth. In most cases, the stories were based on one or more ideas noted in Lovecraft's Commonplace Book; for example, "The Fisherman of Falcon Point" was based on this entry: "Fisherman casts his net into the sea by moonlight—what he finds." Plotting, description, dialogue, characterization, and other elements were entirely by Derleth. As such they cannot be classified as works by Lovecraft. In some instances Derleth incorporated actual prose passages by Lovecraft into his stories. The Lurker at the Threshold (a 50,000-word novel) contains about 1,200 words by Lovecraft, most of it taken from a fragment entitled "Of Evill Sorceries Done in New England" (see B-i-42), the balance from a fragment now titled "The Rose Window" (see B-ii-322). "The Survivor" was based on a comparatively lengthy plot sketch plus random notes for the story jotted down by Lovecraft in 1934. A descriptive passage of "The Lamp of Alhazred" was based on a portion of a letter by Lovecraft to Derleth, November 18, 1936. These extracts or paraphrases, however, have not been deemed significant enough to merit inclusion in this bibliography.
  4. ^ "Review of A Look Behind the Derleth Mythos, by John Haefele". stjoshi.org.
  5. ^ Tierney 1972, p. 53; Joshi 1985b, pp. 57–59.
  6. ^ Joshi 1984, pp. 62–64; Joshi 1985a, pp. 19–25; Joshi 1985b, pp. 54–58.
  7. ^ Joshi 1984, pp. 62–64; Joshi 1985a, pp. 19–25; Joshi 2001, pp. 390–391.
  8. ^ Joshi 2001, p. 391; Lovecraft 2014, pp. lvii–lviii.
  9. ^ Joshi 2001, p. 391; Gafford 2015, pp. 4–6.
  10. ^ a b Lovecraft 2014, pp. lvii–lviii.
  11. ^ Rubinton 2016; Joshi 2001, pp. 219.
  12. ^ Joshi 1996a, pp. 5–6; Oates 1996; Mariconda 2010, pp. 208–209.
  13. ^ a b Hantke 2013, p. 138; Peak 2020, p. 163; Dirda 2005.
  14. ^ Dziemianowicz 2010; Peak 2020, p. 163; Dirda 2005.
  15. ^ Siclen 2015; Smith 2017; Dirda 2019.
  16. ^ Bilow 2013.

General and cited sources